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6 finest new songs proper now: 6/19/26

Gregory Adams by Gregory Adams
June 21, 2026
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6 finest new songs proper now: 6/19/26
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Right here at Revolver, we’re at all times on the hunt for brand spanking new songs to bang our heads to — certainly, it’s a giant a part of our jobs. With that in thoughts, listed below are the tracks launched this week in gothic metalcore, blackened demise steel, straight-edge hardcore and extra which were on heavy rotation at Revolver HQ.

On your listening pleasure, we’ve additionally compiled the songs in an ever-evolving Spotify playlist.

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Allt – “Omertà”

Although the principles of “Omertà” recommend we not run our mouths about Allt’s newest killer monitor an excessive amount of, we’re shouting it out loud that the Swedish unit as soon as once more deliver it large.

Pictures are fired from the leap, with cannon-blast kick work and 12-gauge riffage pumping beneath Robin Malmgren’s beastliest proclamations. That stated, the singer additionally flaps his gums with triplet-spat, near-rap-styled accents and a briefly crooned break.

Apparently, this continues Allt’s present development of naming their singles after huge-ass steel anthems. They went post-Sabbath with this spring’s “Snowblind” single, and “Omertà” shares its title with a Lamb of God basic. Discuss setting the bar excessive.

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Behemoth – “I, Scvlptor”

“I’m the hammer and thou artwork the stone.”

Nergal has described the title monitor of Behemoth’s upcoming album, I, Scvlptor, as “a metaphor for the infinite means of shaping oneself.” In terms of the sound of the music itself, he and the remainder of the extreme-metal outfit form the clay with dread-stirring symphonic ambiance, austerely gloom-swung heaviness and a backend bedlam of bee-buzzing guitar trills.  

Not a reinvention, however moderately Behemoth contorting blackened death-metal sounds with a grasp’s contact.

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Model of Sacrifice – “Seeing Crimson”

“I’m the embodiment of hate.”

Regardless of Kyle Anderson’s gargantuanly guttural admission on Model of Sacrfice’s “Seeing Crimson” — the primary piece of latest music from the Canadian outfit since 2023 — followers of the long-running deathcore group will discover loads to like on this newest monitor.

It’s tremendous meta, lyrically alluding to not solely 2018 album The Interstice LP however the band itself (“The Model it bleeds”), and threads the needle with terror-thrashed expulsions, head-crushing breakdowns and dynamic unease.  

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Immobile in White – “R.I.P.” Feat. Skylar Gray

We should pay our respects to the third and newest preview of Immobile in White’s forthcoming Many years album.

Whereas Could’s eye-gouging “Taking part in God” single with Corey Taylor was a brutal beatdown, Chris Immobile’ “R.I.P.” duet with vocalist Skylar Gray means that the “darkest locations” of MIW’s sound may also be balladic.

A tragi-rocking goth-metal love music scented with grave soil, candlewax and remorse, it’s a potent heartbreaker on par with previous Immobile fan faves like “Eternally Yours” and “One other Life.”

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No Remedy – “Slowly Turning Blue”

On a pure aesthetic stage, Alabaman straight-edge hardcore drive No Remedy placed on a ruthless show with “Slowly Turning Blue,” completely pinchmaxxing harmonic rigidity out of the piece with their B.C. Wealthy guitars.

What’s even heavier are the music’s lyrics reflecting the continued opioid epidemic, vocalist Blaythe Steuer steering himself via traces reflecting habit struggles, O.D.’s and the horror of doubtless discovering a cherished one “slowly turning blue” after a relapse.

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thrown – “rehearsed”

Early into the noise-spiraling, one-note mosh verse of thrown’s new single “rehearsed,” vocalist Marcus Lundqvist point-blank screams at us with unbridled fury: “What the fuck is up with that sobbing?” Our reply is that the always-stomping Swedish outfit’s utter heaviness persistently brings up the teary-eyed feels. And whereas Lundqvist says his “coronary heart is sort of a mild change,” we are able to’t flip off the feelings this one’s stirring up. Stunning, actually.

On prime of the music’s 1,000-ton bench-press of a groove, we’re additionally going to shout out the weirdo sonic accoutrement of what seems like a plastic pool noodle whirly-birding itself from speaker-to-speaker.



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