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Scary Film evaluation – spoof comedy returns however possibly it ought to have stayed within the 2000s

Jesse Hassenger by Jesse Hassenger
June 4, 2026
in Entertainment
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Scary Film evaluation – spoof comedy returns however possibly it ought to have stayed within the 2000s
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The Scary Film sequence has at all times relied on timing. Not essentially in its gagcraft, which has oscillated between occasional sharp jabs and plenty of beyond-broad blows, however in its place on the discharge schedule. This was very true of the primary installment, which arrived in theaters only a few months after the 2000 launch of Scream 3, capitalizing on the brand new wave of slashers whereas holding a spoofy Viking funeral for that just-concluded trilogy. 1 / 4 of a century later, horror endures and there’s no cause to suppose spoofs can’t endure in parallel together with it as Backrooms and Obsession have dominated the early summer season field workplace.

The sixth Scary Film, repeating the primary film’s unnumbered title as a simultaneous nod to and act of reboot branding, is releasing too quickly after these shock smashes to include them into its litany of gags (not even some last-minute ADR references, guys?). It’s caught far additional again, doing a composite of the fifth and sixth Scream motion pictures from 2022 and 2023, respectively. Alternatively, with the current Scream 7 largely abdicating its self-referentiality totally, Scary Film arrives because the final horror-comedy holding the torch for in-jokes that its self-serious cousin couldn’t hassle with.

Scary Film additionally doesn’t have almost as a lot behind-the-scenes mismanagement to work round. The studio has merely rehired co-writers and co-stars Marlon and Shawn Wayans after the Weinsteins wrested the sequence away from them for the third, fourth and fifth entries. They’ve additionally introduced again Anna Faris and Regina Corridor, who held on by way of the fourth film, and enlisted numerous previous and new gamers for cameos, beginning instantly from a gap sequence that photocopies the city-set opening of Scream 6 on to the super-meta opening of Scream 4. Acquired all that?

You don’t really have to. The 2026 Scary Film is nominally a riff on now-familiar next-gen reboots, with Sara (Olivia Rose Keegan) and Tuesday (Savannah Lee Nassif), the estranged daughters of earlier heroine Cindy Campbell (Faris), stalked by one other masked assailant. Cindy reunites together with her former sidekick Brenda (Corridor), Brenda’s stoner brother Shorty (Marlon Wayans) and the eternally barely closeted Ray (Shawn Wayans) to defend the youthful technology towards this killer. The sequence has given up pretending to function as pastiche and refers back to the thriller baddie as Ghostface, simply because the precise Scream villains are colloquially and collectively identified.

Certainly, regardless of the current horror increase, Scary Film is arguably the Screamiest installment but. The unique Scary Film paid as a lot homage to I Know What You Did Final Summer time as Scream, and subsequent motion pictures parodied numerous then current horror hits and the occasional basic, properly exterior the slasher lane. Right here the fifth Scream particularly gives a lot of the construction, in addition to a number of scenes and contours to tweak. Are the Wayans paying respect to that sequence’ personal resilience, or do they think about themselves on equal footing with it? With this triumphant reclamation of the Scary Film franchise, it appears clearer than ever that the Wayans’ precise curiosity within the horror style is extra skilled obligation than both deep-dive fandom or depraved satire. They will’t even muster a catty comment concerning the behind-the-scenes mess of Scream 7, past a weak crack about Neve Campbell not being in Scream 6.

Sure, there are some nice sight gags – an prolonged shoutout to the Remaining Vacation spot sequence unfolds largely within the background – and humorous references, like a joke about “elevated comedy” (although it’s fairly goofy that the intellectual, non-laugh-out-loud auteur that the Wayans take intention at is … Judd Apatow). And the horror spoofs do transcend Scream-world, even when they generally require non sequiturs to take action. Often, the film-makers run into an immovable object: the Terrifier motion pictures, for instance, already go to date that they undermine the Wayans’ technique of imitating a well-known scene and making it grosser or extra ridiculous. All they’ll do right here is basically quote Terrifier 3 again to itself. However different disparate titles together with Sinners, Longlegs, Smile, Ma, Terrifier and Nosferatu all obtain consideration to higher, extra amusing impact – a neat tribute to the sheer number of horror hits from the previous bunch of years.

It’s telling, although, that when the film leaves open an apparent spot for an It Follows riff, Brenda impatiently explains that they received’t be doing that as a result of it’s too obscure. The film does, nevertheless, mount an elaborate and climactic John Wick parody. This nonetheless really counts as one of many extra disciplined entries (Scary Film 2 took day out to goof on … Save the Final Dance?!), nevertheless it nonetheless doesn’t make a lot of a case for the Wayans seeming all in favour of horror, the way it works or what’s absurd about it. If the broadest attainable viewers received’t instantly know It Follows, then to hell with it; it’s a budget seats or nothing. Each film the Wayans come throughout has basically the identical perform: an simply recognizable toilet wall the place they’ll scrawl insults about who’s a slut, who’s secretly homosexual and who deserves to get abruptly hit by a automotive.

A few of these hits nonetheless work; there’s a Bare Gun-like devotion to the variety of occasions the film has a personality misread a variation on an harmless cry of “You got here!” However even in a 96-minute comedy that throws to the tip credit across the 85-minute mark, the Wayans, their co-writers and director Michael Tiddes discover methods to beat sure scenes into the bottom, a tedious Scary Film custom. Now 26 years into this sequence, it’s somewhat dispiriting that Shawn appears so tired of enjoying something apart from a man who insists he’s not homosexual however clearly is, full with musty gay-panic jokes about sexual assault. Each scene about this appears to final a full 27 minutes by itself.

Marlon fares higher reviving his cackling goofball Shorty, who exists exterior of the motion whereas by some means remaining central to it. Faris and Corridor, in the meantime, can nonetheless promote the hell out of a deeply foolish joke, and there’s a bizarre zeal to the best way that Keegan, enjoying Faris’s daughter, seems and acts like a cross between Mikey Madison (the Oscar winner who co-starred in Scream 5) and ex-SNL participant Abby Elliott doing her Faris impression. For all of the anticipated (if not all that pointed) mockery of legacy sequels, there’s a sure consolation and cheer in seeing this solid again collectively once more in pursuit of dumb laughs, even when the sooner movies weren’t particularly good both. But there are additionally growing notes of sourness as Scary Film goes on – an absence of generosity towards the youthful technology that goes previous playful ribbing and typically feels downright hostile to the very existence of anybody who dares observe them. The Wayans would in all probability describe this as basic take-no-prisoners comedy, prioritizing stomach laughs above satire, horror or any sense of propriety. However actually? They appear somewhat scared, too.



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