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Home Red Carpet & Fashion

The Rising Designer Behind Ella Mai's 'Do You Nonetheless Love Me?' Tour Wardrobe

Janelle Sessoms by Janelle Sessoms
August 28, 2026
in Red Carpet & Fashion
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The Rising Designer Behind Ella Mai's 'Do You Nonetheless Love Me?' Tour Wardrobe
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For the opening efficiency of her “Do You Nonetheless Love Me?” tour, singer Ella Mai donned a corseted mini gown that includes a flouncy, handkerchief-panel skirt. It was a glance that got here as a pleasant shock for Jane Wade, the designer behind it (and Mai’s total wardrobe all through the North American leg of the tour).

“Butter yellow was a theme for her — it was on the album art work and went into a variety of the inventive — so the general colorway was yellow. We had picked a full yellow look she wished particularly for her primary wardrobe,” Wade tells Fashionista. Wade’s response to seeing what Mai wore as an alternative? “I assumed [what she chose] was good as a result of it had some construction, snatch and form, however then the skirt was flirty and had a little bit drama. It match her vibe rather well.”

Ella Mai in Jade Wade for her opening evening of her “Do You Nonetheless Love Me?” tour.

Picture: Courtesy of Jane Wade

That “vibe” in query is one which’s sturdy, hardworking and considerate, whereas additionally foolish and easygoing, Wade shares. “These two sides are the right marriage of the kind of girls we gown.”

That duality is what prompted Mai’s stylist Dianne Garcia to achieve out to Wade for the undertaking. Garcia has been a longtime supporter of the rising label, usually attending its vogue week reveals and pulling the model for purchasers. She’s drawn to Wade’s capacity to create standout, fashion-forward items that aren’t fussy or uncomfortable to put on.

“Our items, though they are often corseted in design, are very snug and versatile for put on,” Wade says. “So I believe that when [Mai] was considering and talking with Dianne about what sort of designer she wished to do for the tour wardrobe, [Garcia] considered me. Ella likes to be snug and really feel like herself when she’s performing. So I used to be honored that [Garcia] considered me.”

Mai in Jade Wade.

Picture: Courtesy of Jane Wade

From the very begin of the design course of, it was a collaborative effort, Wade says. Garcia gave the designer a couple of reference pictures and broad inspiration, however allowed Wade the inventive freedom to develop her personal imaginative and prescient. 

“Loads of stylists come, and so they’re like, ‘Right here’s a bunch of different individuals’s work and we wish you to do the Jane Wade model of that,'” Wade explains. “What I actually beloved about Dianne’s method is that it was very minimal when it comes to references for clothes. She gave me phrases and emotions like, ‘I would like [the clothes] to really feel like these phrases and feelings.’ After which the references that she gave had been from my very own collections.”

One descriptor particularly that resonated with Wade was “ethereal.”

“Ethereal was one of many phrases, and I used to be like, ‘This isn’t usually within the Jane Wade universe, so how do I Jane Wade-ify this sense?'” she shares. She selected to discover it by means of a gorp-core lens, incorporating nylon ripstop material that gave the items that trademark Jane Wade outdoor-chic look whereas additionally having flirty, easy qualities. “That was actually enjoyable to play in a brand new language, however then having the ability to rehouse it, make it my very own,” Wade provides.

By the top of the method, the designer had created seven full outfits for Mai’s eight-week (North American leg) tour run. However in true Jane Wade vogue, every outfit is modular — a pillar of the model’s world. It permits Mai to simply combine and match items to create completely totally different appears to be like, reimagining the clothes herself. Wade additionally added material finishes that match throughout the appears to be like so every outfit could be remixed whereas nonetheless wanting cohesive. 

Sketches of Jane Wade’s designs for Mai.

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“That was the primary piece of our technique method: How can we create a wardrobe and items that may be damaged aside and segmented in a intelligent method to be remixed and reworn in order that it feels contemporary, nevertheless it additionally nonetheless feels prefer it has the identical ethos and the identical feeling each evening?” Wade explains. For instance, she designed a strapless high with a brief cap-sleeve capelet that may snap on and off. 

The second important a part of her design method was creating outfits that aren’t too constricting to carry out in — a very distinctive problem on condition that corsetry is one other Jane Wade signature. “Everyone needs to be snatched on stage, however you additionally don’t wish to be uncomfortable as a singer,” she shares. Wade ended up designing boning-free corsets, using seams, batting material and ending remedies to provide it construction with out the restriction. 

Though this was the primary time Wade designed a customized wardrobe for a singer, she emphasizes that the inventive course of was similar to ready-to-wear. Industrial vogue, like on-stage vogue, prioritizes performance and simple motion. “In ready-to-wear, there’s simply sure logistical executions that the garment wants to have the ability to do,” she explains. “We expect very critically within the design part of, ‘Can this particular person put on this pant in an on a regular basis method?’ Is that this a simple shirt to placed on and off?’ So I believe there’s a very related method to efficiency put on when it comes to the practicality.”

Behind-the-scenes of Mai’s fittings.

Picture: Courtesy of Jane Wade

View the two photos of this gallery on the
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The most important distinction between the 2 classes? Bringing the drama within the silhouettes. “You need to have the ability to create one thing that feels dramatic and feels eye-catching simply within the form alone,” she says. To that finish, two of her favourite standout appears to be like are fitted, corseted clothes: one that includes bustled canvas panels on the hem to create the skirt, and the opposite manufactured from a cotton twill bustier with a parachute-like billowing skirt.

The most important studying curve was working with the technological features of on-stage performances, based on Wade; accounting for the mic packs, wires and in-ear screens wasn’t one thing the designer had initially considered when she took on this chance. However like with each different side of the method, she welcomed the problem. 

Mai in Jane Wade.

Picture: Courtesy of Jane Wade

“We had been like, ‘Oh, we must always make matching mic packs after which combine these into the appears to be like in order that method they’re fully seamless,'” she remembers. “That technical facet of the mixing of her onstage tech was a shock, however cool to work by means of.”

With one customized design expertise below her belt, Wade is raring to tackle further bespoke initiatives. Whether or not it’s for an additional tour or a one-of-a-kind piece for press rounds, she hopes to not solely develop her customized design presence, however set up a transparent id within the house.

However till then, she has a Spring 2027 runway present to concentrate on. Wade can’t share a lot about what she’ll current throughout New York Vogue Week this September, however she teases that a few of her work for Mai influenced her ready-to-wear assortment:

“There’s undoubtedly going to be some items which can be going to reflect among the silhouettes that we gave Ella and the fabric composition, mirroring the parachute material and that nylon ripstop. You will notice that on the runway.”

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