There’s extra to Sam Reid’s Say Extra interview than even we knew on the time.
When the star of The Vampire Lestat sat down with Leisure Editor Kristy Puchko, she’d solely seen the primary three episodes of Interview With the Vampire’s lusty third season. So, she and Reid dug into its particulars, speaking his Taylor Swift-like track about his traumatizing maker Magnus and the darkish fact of what he has in widespread together with his fledgling Claudia.
Now, with episode 5 “New York” stay, we’re trying again at what Reid teased on the time. Mainly, he talked about how Lestat begins the season by placing up a façade by way of his rock star persona. Yep, Louis and Armand aren’t the one unreliable narrators on this fanged franchise.
In his interview with Mashable, Reid spoke to the Lestat’s season-long arc, saying, “It is actually a kind of, like, a portrait of an artist, which was Rolin [Jones]’ level of path and a continuing level of reference. Lestat is a inventive being, and the way he form of discovers himself, works himself out, actually nuts by way of his points, is thru his artwork. And that’s of one of many fundamental arcs of the season, is that he is beginning the music as some extent of deflection from how he is been portrayed in [Daniel’s] ebook.”
Reid went on to elucidate that Lestat begins by projecting a vampire “schtick” to the general public, including, “However I believe deep down, he really desires to be taken severely as a musician, as an artist. And progressively all through the present, the music modifications. He is nonetheless on the lookout for his sound, and notably by the point you get to episode 5, every part modifications, and the music turns into way more grownup.”
How Lestat’s music modifications in episode 5
Lestat’s songs, written by Daniel Hart, have ranged in influences from T. Rex and David Bowie to Taylor Swift and The Police. “Lengthy Face” (and probably “Black Licorice”) are about his tumultuous romance with Louis. “Your Largest Fan” is in regards to the stalker Magnus, whereas “Why Do I Must Really feel?” recounts the lack of his beloved Nicky. In episode 4, he provides a diss monitor known as “Huge Boss” for Armand. However in episode 5, Lestat peels again the theatrics, swagger, and intercourse enchantment for a track about Claudia known as “Stained Glass Eyes.”
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On the finish of the episode, he performs a track for her on piano. He is stripped away the 2 guitars, the bass, the violin, the drums, and the Brat Prince façade. What stays is his grief and remorse.
He sings:
The day you have been born, I used to be shaking like a leaf on an previous oak tree.
Then you definately stayed like a thorn. Crimson roses raining down ’til they flooded me.
Even after we parted methods, you by no means turned
By no means turned your gaze
And I can nonetheless, I can nonetheless hear you say,
“Do not break that stare. I am burning in your mirror tonight.
No, do not you dare name it craving. It is the worry that I am proper.
Do not you attempt to overlook all of the belongings you remorse.”
In these stained glass, stained glass eyes.”
As he sings, he sees Claudia staring again at him, as he has seen his slain brothers, Nicky, Magnus, and others. As he sings about how “you by no means turned… your gaze,” the episode crossfades to Claudia’s dying. Her sun-scorched flesh flutters to ash as she stares down Lestat, her father, uncle, maker, and mirror. This second crosses over into the current because the ash from her execution falls into his hair as he sings within the recording studio.
Because the band feedback after they play the completed monitor again, “Stained Glass Eyes” would not match with the horny and scathing songs they have been enjoying on tour. Lestat is aware of. He says they’re killing the opposite tracks and beginning over. This results in Larry’s fateful and deadly departure (RIP, Larry), and the remainder of the band begging to be made vampires to allow them to keep on this musical odyssey with their entrance man.
Lestat drops the act in episode 5.
This shift from horny to honest displays one thing Reid mentioned in our Say Extra interview, about how Lestat has been educated to behave by the 2 largest influences in his life and dying.
“He is obtained two makers, you understand,” Reid mused. “He is obtained his mom, and he is obtained Magnus. Each of these figures are very, very influential in what types him as a personality, and [both] are abusive. He is a extremely sexualized character, as a result of he is been sexualized from the start. Whether or not it is his mom wanting to like him to the purpose of being with him, as a result of she desires to stay vicariously by way of him, or whether or not it is his maker wanting what he sees on stage, that form of performer, that spark, and eroticizing him and making him this type of good, immortal being. It is the one approach he is aware of categorical himself, is by thrusting round on stage and writhing round. And so we do ask the viewers to come back with him on the journey. Perhaps do not perceive it at first, but it surely’s a sluggish unraveling that he begins to unravel too.”
The right way to watch: The Vampire Lestat debuted on AMC and AMC+ June 7, with new episodes weekly.

